Playing with Leaves and Octopodes

(For those of you who are wondering, octopodes is the most accurate, though not most common, plural of octopus.)

Back in September, I got invited to teach encaustic techniques to an organization I had never heard of before - the Nature Printing Society. It is a group of scientists, educators, artists, and other geeks and misfits who love making art prints from any sort of natural ephemera that will hold still long enough - plants, fish, and yes, even octopus.

nature prints by Bridget Benton made by placing feathers
and plants on light-sensitive etching plates; plates are then inked and printed

Making impressions of natural objects is one of the oldest - and most accurate - ways of recording the essential characteristics of natural objects: this is why the scientists love it. It also opens up whole new worlds of creative possibilities: this is why the artists love it. And as for the geeks and misfits, hey - who wouldn't love rolling ink on an octopus or tramping through the woods looking for nifty leaves and branches to print?

nature prints on fabric by Bridget Benton using an inked gelatin plate for mono-printing; shown here collaged with some mass-produced fabrics

Yup - you guessed it: artist, educator, and nature-loving nerd that I am - these are my people. I eagerly accepted the invitation to teach - it seemed like a great opportunity to learn some new things! In fact, doing the work to prepare to teach an encaustic class for nature printers opened up some new possibilities in my own work - I played with pressing leaves and other natural objects into the wax, and using oil paint to pick up the impressions. This led to a whole new series of work that I showed (and demostrated) during Portland Open Studios in October and at Guardino Gallery in December.

encaustic with oak leaf impressions

And I had a great time teaching at their annual conference at the Oregon coast. The whole group is so open to learning and sharing techniques that I felt completely at home. I took several classes while I was there, too, but there was one that had me giddy with excitement: Octopus Printing. Now, fish printing or gyotaku, is pretty well known in the U.S. as a Japanese import: you ink up a dead fish and then gently press paper onto the inky fish surface to pick up an impression. Using octopus as a giant rubber stamp, however, is not as well known.

gyotaku, or fish print, made by Nature Printing Society member

But I am deeply drawn to octopus. Octopodes. Octopusses. However you say it, I love their sensuous shape and suckerness. And to get a chance to print them? How could I resist? We started out with small ones, sold for food at local Asian markets. Thawed, cleaned, and dried, they are remarkably easy to position and print. They can also be re-frozen and then re-thawed and used again for printing. I admit, this is not for the squeamish.

me with my first octopus print!

several of my wee octopus prints!

I would have been happy just to make little prints. However, some local fisherman had caught a large octopus in their nets: knowing that we were in town and looking for non-commercially viable catch to print, they saved it for us. Several brave souls from the Nature Printing Society, including our intrepid Octopus Printing Instructor, Sharron Huffman, cleaned and gutted the octopus so that we could do giant octopus prints.

Sharron inking the large octopus

Sharron after the first print was pulled from the octopus

Now, Sharron has been printing octopodes for many years - she's as drawn to them as I am. She had one specimen, purchased at a Seattle fish market, that she carefully conserved and used for years to print from. She even has a detailed how-to on her website. Now, if you're lucky enough to live in the Portland area, and want to do some hands-on octopus printing, she's having a workshop in her home studio in February! Oh yeah - you can bet I'll be there!

print of large octopus tentacles by Bridget Benton

large octopus print on silk by Bridget Benton

If you're interested, here's the info: Sharron Huffman will teach Beginning Octopus Printing February 12, 1:00–4:00 p.m. at her home studio in Milwaukie, Oregon. $65 plus $15 materials fee. Limited to 5 participants. Contact Sharron at slhuffman@mac.com for more information and registration. I hope you'll join us!

participants in the octopus printing classroom, Nature Printing Society workshop, 2010

Gallery Walk 2010: Guardino Gallery

It's Last Thursday on Alberta. A few Last Thursdays ago, I had an opening at Guardino Gallery - sharing space with amazing sculptor Julie Fiedler, and I never posted about it, so I thought I'd give you another little virtual tour.


Most of the show was encaustic work. This piece, "A Wish and a Prayer," was one I really struggled with, but I love the way the shape of the praying hands and the wishbone echo each other.


I think this piece was my favorite in the show . . . the piece has a lot of dimension, and the cat's cradle is actual string suspended over the moonlit sky . . . I want to do more in this series, but it's incredibly difficult to construct and work the multilevel surfaces; it takes a lot more time than I have right now!


Here's another piece that rocks the multilevel surfaces . . .and takes full advantage of the scroll saw my father-in-lawish gave me two Christmases ago. Here, the heart sort of turns into an octopus on one side of the bridge and a tree on the other . . . the bridge is Portland's St. Johns Bridge. I'm not totally satisfied with this one . . . I think the octopus is maybe a little much. I think I want to keep working on this one, maybe pull the octopus tentacles back a little bit and make them more vine or root-like.

A few more encaustics . . ."What is Left Behind" and "Recipe for the Moon." Each of them includes some collage elements . . .

This is a diptych . . . my first really successful one. I had just finished reading an article on bower birds, and somehow the drawing hand and the heart only really came together after I added the bower bird. It feels like the bird is making a bower in the heart . . . there's a seduction of some kind happening in the painting. At least for me. It's always interesting to me what other people see in the paintings.


Here, I'm combining encaustic on the panel and the panel is mounted on a reclaimed drawer decorated with acrylic, tea bags and resin. More hands. More tea bags.


And here's a look inside the gallery . . . me and Julie's stuff looked really great together! I had a few collages up, too, things I'd worked on while I was up at Whidbey Island this summer.



And this Last Thursday's opening at Guardino on Alberta with Katherine Dunn and Lisa Kaser looks AMAZING . . . and there's a Dia De Los Muertos opening at Fantasma on Alberta featuring the work of Alea Bone and Linda Rand . . . be sure to drop by and check them out!

Gallery Walk 2010: 100th Monkey

Back in April, I had a feature show at 100th Monkey Studio's Gallery . . . it included a bunch of my work to date with recycled and reclaimed materials, along with some experiments (including a few that didn't go so well). I felt the piece above was one of the most successful . . . I created a background with tea packets stitched together, then gessoed and painted on the surface. I really like the effect.


So now you're going to get the virtual tour! This piece includes actual teabags along with the tea packaging.


This is an encaustic piece that utilizes tea tags my friend Leslie has been saving for me . . . I have probably hundreds of them and this was my first foray into using them . . .


And here I experimented with drier sheets . . . I printed on them, then stitched them to a canvas surface, along with plastic bottle caps, like buttons.


Here was another experiment - birth control packets and a nest with egg and branch. Home - how we make homes and how we make ourselves feel at home - has long been a theme of mine. Naturally, this intersects a great deal with the role of women and women as homemakers, and the traditional crafts and practices of women and how, as women, we have the option to accept or break out of those roles and redefine them.


And then after all of that deep stuff, we move back to bottle caps. Their plastic wonderfulness and total flexibility and bright colorfulness.



Fused plastic bags as quilt blocks. Another very fun thing. I'm not sure why I enjoy it so much - perhaps just the meditative ironing and arranging and stitching. So, I'm fusing up more plastic bags this week while it's still nice enough to be outside and get good ventilation.


And here's a few more that were in the show.



Now, imagine yourself standing in the gallery . . . considering the pieces, sipping a glass of wine, and deciding which ones appeal to you and why. Or which ones don't appeal to you. The ones that inspire you to try something new, and the ones that make you think. And hey, while you're at it, try heading out to First Friday this week if you're in Portland, or maybe take a gallery break sometime this week wherever you are.

Hello, Green Craft!

Ok - you folks saw it here first, back in 2008, with my series of DEMOs on making jewelry from bicycle inner tubes, and now it's seeing print in Somerset Studios' Green Craft Magazine:

The photographer - and I couldn't find the photo credits - did a wonderful job!



The directions aren't terribly detailed, but the whole magazine is filled with some great inspiration! And in the article, I'm teamed up with Shirley Goff, who creates wonderful handbags from tires, along with a lot of other wonderful recycled adornments!


Check out the magazine and see articles on turning a men's dress shirt into a halter top and making earrings from pop tabs along with a lot of other crafty recycled wonderfulness.

In Which Our Intrepid Blogger Goes on a Cruise

Featured below, you see all the reasons why I wanted to go on a Crafty Chica Cruise: Of course, there'd be crafting, a trip to Mexico, and a shot at sunshine in April, but the big draws? Getting to hang out with the Crafty Chica Herself - Kathy Cano-Murillo (right) and the ever-delightful Sister Diane (left). Add sun, surf, and stuffed iguanas, and I was totally in!


Now, it turns out that I'm not much of a cruiser. Seasick? Check. Mildly claustrophobic? Check. So overwhelmed by the possible shore excursions that I actually didn't spend any time in the surf? Check. A little freaked out by the floating Las Vegas casino atmosphere of a Carnival Cruise ship? Double-check.

But I still had a great time! Why? Well, Kathy Cano-Murillo is just as fun, generous, and crazy glitter sweet as her books, blog posts, and awesome craftiness would lead you to believe. Not everyone lives up to their on-line image but the Crafty Chica does it - plus some! (And man, did she score us some serious swag!!) Here she is modeling the amazing apron she decorated during the cruise!



I also had an incredible time being roomies with and generally geeking out with Sister Diane. She was there creating an epic podcast about the Crafty Chica Cruise - I haven't seen sign of it yet, but I'll let you know when I spot it! In the meantime, she chronicled our adventures at the Mexican fabric store and the Mexican paper store in nerd-a-rific technicolor detail! Here's a shot of us heading ashore - with no idea what wonders lay ahead!
But the thing is, vacations are generally made great by the things you don't expect. In my case, it was towel animals.


Yes, towel animals. Finally, I understand why hotel towels are always so darn stiff and scratchy - its because they have to be if you're going to fold them and roll them and twist them into loveable animals!


Apparently, towel folding or towel origami, is popular on cruise lines and tropical resorts. Having spent no time at either before, they were brand new to me!

If you're feeling inspired - and maybe in need of a vacation at an exclusive resort - try venturing into the land of towel-folding with Ian:




Of course, if towel-folding seems too mundane or you're looking to get really fancy, you may just need to hop over to Amazon and order this book:


And no, no-one did anything fancy to our toilet paper on the cruise. But if you want to go on your own crafty cruise, the Crafty Chica is already accepting reservations for an 8-day cruise next spring!