Hello, Green Craft!

Ok - you folks saw it here first, back in 2008, with my series of DEMOs on making jewelry from bicycle inner tubes, and now it's seeing print in Somerset Studios' Green Craft Magazine:

The photographer - and I couldn't find the photo credits - did a wonderful job!



The directions aren't terribly detailed, but the whole magazine is filled with some great inspiration! And in the article, I'm teamed up with Shirley Goff, who creates wonderful handbags from tires, along with a lot of other wonderful recycled adornments!


Check out the magazine and see articles on turning a men's dress shirt into a halter top and making earrings from pop tabs along with a lot of other crafty recycled wonderfulness.

In Which Our Intrepid Blogger Goes on a Cruise

Featured below, you see all the reasons why I wanted to go on a Crafty Chica Cruise: Of course, there'd be crafting, a trip to Mexico, and a shot at sunshine in April, but the big draws? Getting to hang out with the Crafty Chica Herself - Kathy Cano-Murillo (right) and the ever-delightful Sister Diane (left). Add sun, surf, and stuffed iguanas, and I was totally in!


Now, it turns out that I'm not much of a cruiser. Seasick? Check. Mildly claustrophobic? Check. So overwhelmed by the possible shore excursions that I actually didn't spend any time in the surf? Check. A little freaked out by the floating Las Vegas casino atmosphere of a Carnival Cruise ship? Double-check.

But I still had a great time! Why? Well, Kathy Cano-Murillo is just as fun, generous, and crazy glitter sweet as her books, blog posts, and awesome craftiness would lead you to believe. Not everyone lives up to their on-line image but the Crafty Chica does it - plus some! (And man, did she score us some serious swag!!) Here she is modeling the amazing apron she decorated during the cruise!



I also had an incredible time being roomies with and generally geeking out with Sister Diane. She was there creating an epic podcast about the Crafty Chica Cruise - I haven't seen sign of it yet, but I'll let you know when I spot it! In the meantime, she chronicled our adventures at the Mexican fabric store and the Mexican paper store in nerd-a-rific technicolor detail! Here's a shot of us heading ashore - with no idea what wonders lay ahead!
But the thing is, vacations are generally made great by the things you don't expect. In my case, it was towel animals.


Yes, towel animals. Finally, I understand why hotel towels are always so darn stiff and scratchy - its because they have to be if you're going to fold them and roll them and twist them into loveable animals!


Apparently, towel folding or towel origami, is popular on cruise lines and tropical resorts. Having spent no time at either before, they were brand new to me!

If you're feeling inspired - and maybe in need of a vacation at an exclusive resort - try venturing into the land of towel-folding with Ian:




Of course, if towel-folding seems too mundane or you're looking to get really fancy, you may just need to hop over to Amazon and order this book:


And no, no-one did anything fancy to our toilet paper on the cruise. But if you want to go on your own crafty cruise, the Crafty Chica is already accepting reservations for an 8-day cruise next spring!

Art and Healing: Part Two

Lately, I've been so busy doing things that there hasn't been a whole lot of time to blog about them - or time to absorb what's happened. *

It's been a wonderful whirlwind, and now I'm ready for a little reflection and a little quiet artmaking time. Sometimes things don't make sense until we write them down or until we share them - either through words or through our artwork or both.

And a good place to start reflecting is the amazing women I had the opportunity to work with at the Quest Center for Integrative Health's Healing Empowerment Project. The Project, led by Jo Brody, provides an expressive outlet for those living with breast cancer and its consequences. With a different art class led by a different art teacher each month, the women have the opportunity to create, explore, and take an active role in their own healing process.

The participants, diving in!

Opportunities to teach in an environment like this are few and far between, and I was honored to be invited to teach an all-day shrine making class earlier this year. As is often the case, it seemed like all I did was unload materials from the truck, offer a little bit of information about structure and adhesives, and then get out of the way.

The women were fearless. They took risks, told personal stories, and were absolutely willing to work intuitively. It was a joyous and inspiring thing to witness. And there is such a lesson there. Perhaps once you have faced your own mortality, the blank canvas just doesn't seem as scary as it used to.

Starting with Egyptian deities . . .

and completing with feather and sea.

Dress patterns, Botticelli, and Mother Mary . . .

United by spirals.

A collecting of materials . . .

and a lid of riotous color.

This piece, assembled by a particpant, features an image of singers originally created by Deborah Koff-Chapin.

And this is what art is about - at least for me. Expressing and exploring, and maybe getting lucky enough to tap into something utterly beyond ourselves.


* If you were curious . . . In the last four months, I've attended workshops at ArtFest in Port Townsend, taught several workshops here in Portland, joined Sister Diane on a marvelous Mexican cruise with the Crafty Chica, had a feature show at 100th Monkey Studios Gallery, participated in a few charity art auctions, taken on the role of Treasurer for Portland Open Studios, celebrated my 40th birthday with friends, visited family in Texas, and now, I'm in Beverly, MA, for the Encaustic Conference at Montserrat College of Art and will then be heading off to present at the Summit of Awesome in my hometown of Portland, OR. I have a serious back-log of eye candy and insights to share, so get ready!

An Artist A Day: Auction Tonight!

Last month, on April 21, I had the chance to sit in the window at Muse, a local art store at 4224 SE Hawthorne, and start on an encaustic painting. Along with 33 other artists - each scheduled on a different day - I was working on a piece to be auctioned off to benefit Schoolhouse Supplies. You can see all of the work that got created, and all the work that's up for auction at Muse's An Artist A Day website.

Here's the piece as I started on it, working in the window at Muse, and beginning the background.


Next, I added the image of a heart . . .


After I got it home, I added additional imagery - bees and honeycomb - and worked more on the colors.



And tonight, you can go over to the big opening at Muse and bid on the piece from 6pm - 8pm, though I think the bidding closes at 7:45! Prices start at only $75, and the pieces are medium-sized, 16"x20". Proceeds help buy art supplies and get them into the hands of artists and teachers in the public schools - what could be better than that?

Here's the finished piece, called "Where the Work Gets Done."

Meltdown, or Working with Reclaimed Materials

I love working with recycled stuff. Right after encaustics, it's my very favorite thing. I have a show up this month at 100th Monkey Studio Gallery - I'm the featured artist in their Recycle Reuse show this month.

Of course, the thing with reclaimed materials is that they are, by their very nature, unpredictable. Take this assemblage I made, for instance. I used a cigar box, an old plastic trophy part, dowels, wire, some old maps, a craft store cardinal - all pretty standard, right? And I used two of my favorite glues to put it together - E6000 (a glue recommended for use with plastics) and Mod Podge.


Now, you may notice something a bit odd. Something that led to the phone call I got yesterday. From the gallery. "Ahem, Bridget, your assemblage is melting." My first thought was that the E6000 and the styrofoam in the middle of the craft store cardinal were not getting along well. But no. The stem of the trophy was collapsing.


Now, this is something every encaustic artist dreads hearing. It's rare for a well-made encaustic piece to melt under normal circumstances, but in direct sunlight in a car window in Arizona while you go have lunch, well, things can happen.

It is, however, a phone call that one doesn't expect to get about an assemblage that doesn't include any wax.

I went over to the gallery today, marked the piece as "Not for Sale", examined the way the E6000 was dissolving the plastic of the trophy into a melty goo, decided I actually like it better with the trophy dipping at an angle, did a quick fix with hot glue, and walked away thinking "Lesson learned."

Then, I remembered that I had found two of those used trophy parts at SCRAP when I bought them years ago, and had used one of those trophy parts in a piece I'd completed back in 2007 or 2008.

A piece for a different show at the SAME GALLERY.

A piece on which I had used the SAME GLUE (E6000) to glue the SAME TROPHY PART to a wooden box. A piece, you will notice, that has remained distinctly UN-MELTED.


Next time, I'll try putting it together with rivets.