A few more studio ideas

I've loved hearing your studio ideas in the comments! So, in honor of getting your studio together for the new year, here's a few more of mine - let me know what you think . . .

The Studio Behind the Couch
A friend once described seeing the studio of a professional printmaker she knew, and being shocked by its simplicity. The artist had simply moved the couch in his tiny living room away from the big front window, and placed a table and a few shelves behind it. There was room to walk between the table and the window, and everything he needed to do his work was within easy reach and always ready to go. It had made his living room smaller, but it also made his priorities very clear! Is there a space, like your living room or bedroom, that you could shrink slightly in order to make room for a small studio space? How could you rearrange an existing room so that a little space for art was carved out? Don’t forget that basements and garages are frequently overlooked and underused spaces.

The Fold-Out Studio in a Closet.
Claim a guest room closet, hall closet, coat closet, or linen closet for your studio. You probably need to get rid of a few things anyway, and a little re-arranging can find a new home for the items that are left. If the closet doesn’t have a light, a clip lamp and an extension cord can solve that problem. Use the closet to hold your art supplies and a bulletin board or other “display” area for inspirational images and quotes, works in progress and even completed projects.

If you paint, try hanging the piece you’re working on the back of the door and keep a folding chair in the closet. Open the door, secure it with a couple of rubber wedges to keep it from moving, and Voila! - you have an easel. Or, if you work on a horizontal surface and stand while you work, try getting a fold-down ironing board for the back of the door, or some of the wall-mount fold-down tables available at stores like IKEA. This can fold down and become an instant work surface! If you sit while you work on a horizontal surface, you can try using one of the shelves in the closet as a work surface, or find a small table that fits the space. Or you can keep a folding table in the closet, and display works in progress and inspiring quotes on the door.

The idea is to create a space that you can close the door on, but that is ready to go with supplies on hand and works in process visible as soon as you open the door set up a work surface. You can also leave the door open for those times when you want to put your subconscious to work.


Studio in a Tub.
Keep all of your art supplies and projects in plastic bins, totes, or tubs that can be easily toted and stored. This is especially handy if your primary workspace is the dining room table, or a card table set up in the living room. This makes it easy to clear one room, and relocate the project somewhere else, or just put it away until dinner is over. Tubs can be organized by media or by project.


Studio on a Cart.
A similar idea is to keep your art supplies on a rolling cart, like a kitchen utility cart or catering cart. Some are designed as rolling kitchen islands, others to hold microwaves or TVs. These carts frequently have a drawer, and usually have at least one shelf. I’ve seen very sturdy rolling tool carts at hardware stores that have multiple shallow drawers, ideal for paints, pastels, paper, and brushes. Sometimes the cabinets underneath can be easily covered with fabric, or have doors – great for privacy! The top surface can be used to store works in progress, and can even be used as a work surface.

I keep all of my painting supplies on a cart like this. Roll it up to the kitchen table, or to an easel, or even out onto the back porch, and you’re ready to go. If the kitchen table is your main work surface, it’s easy to turn the dining nook into a sometime studio. You can keep a bulletin board on a wall nearby full of inspiring pictures and quotes, or have a magnet board to easily display finished projects. Keep your rolling cart full of supplies in the dining room and stock it with a vinyl tablecloth or piece of oilcloth that you can throw down on the dining room table to protect the surface. Then, roll your cart over, sit down and dive in! Your supplies are near at hand, and cleaning up your work surface in time for dinner is as simple as folding up the vinyl cloth and putting your project on top of the cart – where your subconscious can work on it over coffee and pie.

Any other ideas for making artmaking space at home?

I'm Alive! And I have a question about your studio . . .

Just a quick note to let you all know that I'm alive. I've been up on Whidbey Island, Washington for the past week doing a writer's retreat with my writer/editor friend Jill Kelly. I've been working on book to go with my ArtMaking as Playful Prayer class for more than two and a half years, and, with Jill's support, I'm finally making some good progress! I'm starting a new session of ArtMaking as Playful Prayer on January 20th, and working on the book is getting me really jazzed up . . . It's designed as a home workshop for those who can't make the class, or a home companion for those who do. So, in honor of fresh starts and the new year, I'm going to leave you with this tidbit from the second draft of . . .

Chapter 4
Studio: Making Sacred Space at Home

Making Room for Art

It is one thing to go off to an art class once a week and another to work alone at home. In the class, there are other people taking the same risks you are. There are supplies to choose from and a space to work in and permission to make a mess. You know that when you come back the next week, the supplies and the space will be there. There is a teacher or facilitator who is cheering you on, giving you ideas and information about materials, and hopefully setting guidelines that make the space a safe and fun place for everyone to explore. Yet, even if you’re blessed with having a great workshop environment, you’ll end up wanting to do some work at home or in your own studio space.

Over the years, I’ve gone from having a corner workspace in my bedroom, to the use of a larger space in a mildew-prone basement, to the glorious converted two-car garage I now call my studio home. Some full and part-time artists rent studio space outside of their home, and some continue to work for years from that corner in the bedroom. Whether the space is in your house or not, you want to have at least some space that is yours alone and not used for any other purpose; a space where you can leave your supplies set up and works in progress out and visible. This way, you can sit down and work for a few minutes here and there, and you are always walking by your project – catching it out of the corner of your eye and letting your subconscious work on it, too. It keeps your artist within out and visible and taking up space; it identifies artmaking to be as much of a priority as sleeping, cooking, or bathing. It becomes as easy to add a bit of color to a piece as it does to heat up leftovers in the microwave, check e-mail, or flip on the TV.

The reality is that in the beginning, your workspace will probably be in your house, and you probably share your house with other people who may or may not understand what you’re doing. Your home may be small and you might not feel like you have any space to claim for art, or that the spaces in your home are too public for the purpose. You may have children or housemates who would take great delight in using your art supplies, but might not have the same notions of privacy or respect for materials and works-in-progress that you might need. You might be working on things that you simply don’t want other people to see.

For a bare bones home studio, all you need is something to make marks, something to make marks on, and a place to be while you make marks. Here are some ideas for setting up a studio in a small or shared space:

The One-Wall Studio
I once met a woman who had simply dedicated one wall of her kitchen to painting. It wasn’t a large space, but she had tacked cardboard to the wall and floor to protect it, hung heavy paper on the wall to paint on, and then had a tray with her paints on it that could be easily repositioned. It was always there, and it was easy for her to step in and paint without the production of setting up her space each time she wanted to work.

Ok, I'd love to know what you think - and what your studio or artmaking space is like! I'm planning on posting some more of my ideas for making small studio spaces tomorrow, so stay tuned!

Studio Meme: Essentials and Influences

Dayna started this one, inspired by Alphabetica (which I just ordered) and Gretchin carried it forward: Michael5000 responded in her comments, and now, I'm going to put in my two cents worth. My top ten art studio essentials and my ten major influences . . . in no particular order:

Note: this is tough for someone who works in encaustic, acrylic paint, watercolor, mixed media collage, printmaking and fiber, as well as making jewelry, so I started by looking at what always ends up out of the studio and in the living room because I need it to work on some little project while I watch TV. I also considered what I pack with me or pick up when I travel, and want to be able to make some art along the way.

It also goes without saying that a Refreshing Beverage of Choice (coffee with soy milk in the morning, diet coke or water with Emergen-C in the afternoon, and herbal detox tea in the evening), a Laptop with high-speed internet connection (for Googling, ordering fresh supplies, and downloading episodes of Project Runway) and Public Radio are essentials - no matter whether I'm in the studio, the office, the kitchen, or the car. Ok, I don't really Google while driving. At least not yet. Hello, voice-activated get-it-anywhere internet access.

Studio Essentials:

1. Black Sharpie
2. Exacto Knife and/or sharp scissors
3. Flat and Round medium paintbrushes
4. Gel Medium and/or Mod Podge
5. E6000 and/or Goop glue
6. Big flat surfaces to work on, including a cutting mat
7. Needle and embroidery floss
8. Big surfaces to embellish (paper, fiber or wood)
9. Golden Acrylic Paint or other water-based paints
10. Scrap fabric and scrap paper


Influences: (This includes just about anything I see, but most especially these things)

1. Egon Schiele
2. Eric Booth, The Everyday Work of Art
3. Textiles of all sorts (quilts, ikat, kimono, batik, weaving, embroidery, etc.)
4. Joseph Cornell
5. Traditional devotional and spiritual art (icons, mandalas, shrines, thankas, etc.)
6. fruits and vegetables
7. Costumes and the Fashion Industry, including glossy fashion magazines and Project Runway
8. The Xerox Machine
9. Travel (Garden of the Gods*, the Rockies, Nepal, Bali, Thailand, Route 66, and on and on)
10. Stewart Cubley and Process Painting

and because this one goes to 11 . . .
11. Outsider Art (see Raw Vision), feminism, the DIY Movement (see ReadyMade), word nerds, and other Geeks Who Make Things With Meaning

Tag - you're it. Shu-Ju? Ann?

*Garden of the Gods is a park in Colorado Springs, CO very close to where I went to college . . . I remember seeing those pinkish red and red-orange rocks, all covered with lichens in shades of gray-green and bright-green, contrasting so intensely and looking so beautiful . . . I'd always loved color, but I remember very consciously thinking about how those colors worked in nature and how I could get them to work in a painting.