
We mounted the image on a wooden painting support that had a deep 2" cradle - like the one Bee Shay is painting in the picture below. The idea was to mount the photo on the front of the painting board and fill the back with tokens or objects that relate to the image . . . except all the tokens I brought with me related to the beaches of Oregon and Washington.

So I ended up focusing on the image and the quote inscribed around the edge - we did a marvelous series of things to distress the image, applying gesso, acrylic paint, colored pencil and even attacking the surface with sand paper.

I'm still interested in continuing to work the image - bringing more of the color out. I also want to incorporate some of the ephemera from my trip. My quote came out of some free-association writing I did around the image . . . "What we build and the places we call home travel with us, creating a map in our memory."
Here's another shot of the front of the piece and the back as they look now . . .


And here's a link to some images of Bee Shay's sample for the class - just so you can see the potential.
Wow! That's a really bitchin' treatment! What was the photo printed on?
ReplyDeleteHey there! The photo was printed on staples house brand photo paper, satin finish. roughs up nice, huh?
ReplyDeleteThis is beautiful! Wish I'd been there with you and Bee--next year, huh?
ReplyDelete